Monday, April 7, 2014
Aloy Paradoks & Neo Romantik
Today I am highlight an interview with Aloy Paradoks when he did stage production called Neo Romantik last year. He has given some interesting answers to the question I had posed to him. There is a strong talk he might want to restage this production again This interview appeared in theSun on Feb 14 2013.
Headline: Love In the Spotlight
By Bissme S
Getting married is easy but staying married is not. This is depicted in the theatre production, Neo-Romantik, starting today until Sunday, at Stor Teater, Dewan Bahasa dan Pustaka, in Kuala Lumpur. Produced by Artful Creator and Paradoks Production, the story centres on Asyraf and Najua who are actors married to each other for the last 10 years. They are invited to host a live talk show where they will discuss and act out their relationship.
The producer is Ajami Hashim while Aloy Paradoks is both the director and playwright as well as taking on the lead role of Asyraf opposite actress cum-author Fazleena Hishamuddin as Najua.
This play was presented at the Sayembara Short Theatre Script-Writing Festival, organised by Dewan Bahasa dan Pustaka last year,where Aloy walked away with the best script and best actor awards.
“I only presented a 20-minute play for the festival,” Aloy says. “For this production, I added more scenes so now the play is more than an hour long.”
He explains that the production is broken into three segments. In the first segment, the couple will act out how they met, became a couple, then husband and wife, and later parents … and the
challengesthey faced to keep their marriage intact.
“I wanted to show that romance has a new face among the new generation,” explains Aloy.
“In the past, if you like someone, you send a surat cinta (love letter) to the person you admire. Then, more surat cinta will be exchanged between the couple.
“Now, if you like someone, the first thing you do is add him or her as your Facebook friend and you follow your admirer on Twitter. The pair will start flirting on these social websites before going out on their first date.
“In the past, the guy usually makes the first move and asks the girl out on a date. Now, the girl has no hesitation in making the first move.
“People always say love is so cliché but tell me what is not cliché? Everything is cliché.”
In the second segment of the play, the actors invite the audience to ask them any question – even about their sex life.
“I want the audience to feel as if they are attending a real talk show and they have every right to ask the artistes questions,” says Aloy.
“The audience have total control. Only they can make this segment interesting by asking tough and provocative questions.”
Some feel Aloy is taking a big risk here by depending too much on the audience to make this particular segment interesting. Generally, Malaysian audiences tend to be shy in participating
in such activities.
“The challenge for the actors in this production is to make the audience feel less shy and passive,” he says.
“The actors have to provoke the audience to ask them questions. We will also make it easier for the audience by taking questions on Facebook and Twitter, and we are passing around slips of paper for them to write their questions down.
“There are very few theatre productions that allow the audience to be part of the play. The audience should take the opportunity to play an active role in asking questions.
“I am also eager to see the kind of questions that the audience will ask us. I know I am taking a risk here. But this is not the time for me to present something safe.”
Aloy has always been pushing boundaries in his plays by presenting innovative productions. For example, in one of his works called Blackout, he had a 20-minute scene which was performed in total darkness. The audience could only hear the sounds of footsteps and people talking.
Another out-of-the box production is his Rompakan Sepadu last year, where he had his cast actually cooking on stage,giving the audience a real whiff of the food. He likes playing with the idea of arousing the senses, like sight and smell in these cases.
“I do not mind if the idea I try falls flat and turns out to be a big failure,” he says.
“At least I have tried to present something different.”
The third segment of Neo-Romantik will focus on the couple at home after the talk show.
“You will find the couple angry and unhappy with each other over what they had said in the talk show,” says Aloy, adding that the actors here will be depending on their actions and reactions
to each other rather than dialogue to express their unhappiness.
“Their actions will speak volumes about their unhappiness.”
When asked why he focused on a marriage of a celebrity couple, Aloy says: “We are never interested in ordinary people’s marriages. But we are always interested in what goes on behind the closed doors of celebrities. We want to know how they fall in love … how long they will stay married. We want to know about the rocky patches in their lives and the romantic things they do for each other.
“We are a celebrity-obsessed society but we like to deny this."